alexander
gedeon
alexander
gedeon
gedeon
i am a stage director for opera and music-theater based in LA.
i came to the idea of directing opera after studying experimental theater in college and playing in nightclubs as a musician for more than a decade. gradually i recognized that opera was the synthesis of everything i loved: composing stage pictures, complex music, projects epic in scope and scale. a bizarre dream of performing ionesco in a jewel-box theater inadvertently led to my opera directorial debut with "la tragédie de carmen" at san diego opera in 2017. since then, I’ve had amazing opportunites working at long beach opera, LA opera and LA phil, including ongoing associate directing work with macarthur fellow yuval sharon.
in 2021, i will premiere “sanctuaries” [2019 MAP fund award winner], a site-specific chamber opera exploring the effects of gentrification on the black community in portland, oregon; followed by “concerto for having fun with elvis onstage”, a collaboration with composer daniel corral at REDCAT in los angeles.
“la tragédie de carmen”
“provocative, visually stunning ... artistically fascinating and thought provoking.”
“a perfect, ‘experimental’ approach to opera, for open-minded aficionados, and those new to the artform.”
the san diego union-tribune created a short documentary about the unique rehearsal process of this project. you can watch it and read more about the show here.
popular music
before committing to opera, i worked as the songwriter, choreographer, guitarist and lead singer of brooklyn-based punk-funk band trick and the heartstrings, and LA disco ensemble yellow alex. i collaborated with grammy winning producer paul epworth (adele, florence + the machine) and had song placements in indie films, ABC TV and the iTunes worldwide playlist. my last record, house of discipline, received over a year of airplay on LA’s KCRW.
prisoner of fashion / house of discipline
as an actor and poetry reciter, i have performed in work produced by eve ensler, and alongside multi-grammy winner billy childs and the lyris quartet.
what’s next?
i am committed to developing new audiences for the expanding frontiers of opera. this can take the shape of theatrical events on stages and in alternative spaces, or institutional alliances that focus on new experiences
for opera initiates.
let’s do.
you can send me an email here.
you can download my resume here.
you can sign up for updates here.
collaborators